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For What Its Worth It Was Worth All the While Art

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1966 single by Buffalo Springfield

"For What It's Worth"
For What It's Worth single.jpg
Single by Buffalo Springfield
B-side "Exercise I Have to Come Right Out and Say It?"
Released Dec 23, 1966 (1966-12-23)
Recorded December 5, 1966
Studio Columbia Square, Hollywood
Genre
  • Folk rock[1]
  • state rock[two]
  • psychedelic rock[three]
Length 2:37
Characterization Atco
Songwriter(s) Stephen Stills
Producer(s)
  • Charles Greene
  • Brian Stone
Buffalo Springfield singles chronology
"Burned"
(1966) 		"For What Information technology'due south Worth"
(1966) 		"Bluebird"
(1967)

"For What It'due south Worth (Stop, Hey What'south That Sound)" (often referred to as simply "For What It'southward Worth") is a song written past Stephen Stills. Performed by Buffalo Springfield, information technology was recorded on Dec v, 1966, released every bit a unmarried on Atco Records on Dec 23, 1966, and peaked at No. vii on the Billboard Hot 100 chart in the spring of 1967.[4]

Information technology was later added to the March 1967 2nd pressing of their first album, Buffalo Springfield. The championship was added after the song was written, and does not appear in the lyrics.[5]

Background [edit]

Although "For What It'south Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in Los Angeles in November 1966—a serial of early on counterculture-era clashes that took place betwixt police and young people on the Sunset Strip in Hollywood, California, beginning in mid-1966, the same yr Buffalo Springfield had become the house band at the Whisky a Go Go on the Sunset Strip.[half dozen] Local residents and businesses had go annoyed by how crowds of young people going to clubs and music venues along the Strip had caused late-night traffic congestion. In response, they lobbied Los Angeles County to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip after 10 p.m. The young music fans, however, felt the new laws infringed upon their civil rights.[7]

On Saturday, Nov 12, 1966, fliers were distributed on the Dusk Strip inviting people to join demonstrations later that 24-hour interval. Several of Los Angeles's rock radio stations besides announced a rally outside the Pandora's Box order on the corner of Sunset Boulevard and Crescent Heights. That evening, equally many as ane,000 young demonstrators, including future celebrities such every bit Jack Nicholson and Peter Fonda (who was handcuffed past constabulary) gathered to protest against the curfew's enforcement. Although the rallies began peacefully, problem eventually broke out.[viii] The unrest continued the next night, and periodically throughout the balance of November and December, forcing some clubs to shut downwards inside weeks.[7] Information technology was confronting the background of these civil disturbances that Stills recorded "For What It's Worth" on December 5, 1966.

Cash Box said the single is a "throbbing, infectious protester circling 'round the current happenings in Cal."[9]

Product [edit]

Stills said in an interview that the name of the song came most when he presented it to the record visitor executive Ahmet Ertegun (who signed Buffalo Springfield to the Atlantic Records-owned ATCO characterization). Stills said: "I have this song here, for what information technology'southward worth, if you want it."[5] Another producer, Charlie Greene, claims that Stills starting time said the above line to him, but credits Ahmet Ertegun with giving the single the parenthetical subtitle "Cease, Hey What'south That Sound" in gild that the song would exist more than easily recognized.[5] [10]

The song was recorded on December 5, 1966, at Columbia Studios, Hollywood. Tom Dowd claimed he mixed the song at Atlantic'south studio in New York, though this has been disputed.[11] Dowd did take function in the production of Cher'south version of the song in 1969.[12] One of the well-nigh recognizable elements of the song is Neil Young'south utilise of guitar harmonics.[5]

Legacy [edit]

"For What It's Worth" quickly became a well-known protest song.[13] In 2006, when interviewed on Tom Kent's radio show Into the '70s, Stills pointed out that many people think the song is about the Kent Country shootings of 1970, even though its release predates that event by over three years.[14] Neil Young—Stills's bandmate in both Buffalo Springfield and Crosby, Stills, Nash & Immature (CSNY)—would later write "Ohio" in response to the events at Kent State.[15]

An all-star version of "For What It's Worth", with Tom Lilliputian and others, was played at Buffalo Springfield'south consecration into the Stone and Roll Hall of Fame in 1997; Neil Young did non attend the event.[sixteen]

The vocal is a staple of period piece films about 1960s America and the Vietnam War, such as Forrest Gump, and ofttimes used every bit a common autograph to quickly institute the atmosphere of 1960s counterculture move and protests.[17]

The vocal appears in the intro to the 2005 flick Lord of War, showing the lifecycle of a bullet, from manufacture to firing.[ citation needed ]

On August 17, 2020, Billy Porter sang "For What Information technology's Worth" for the 2020 Democratic National Convention backed by Stephen Stills on guitar, a nod to the vocal's resurgent use in the summertime 2020 American protests.[xviii] [19]

Charts [edit]

Certifications [edit]

Covers and sampling [edit]

"For What Information technology's Worth" has been covered, sampled, and referenced in numerous musical performances. Versions include those by the Staple Singers (US #66 in 1967)(Can #46 in 1967),[30] Art (1967 unmarried from Supernatural Fairy Tales), Ken Lyon & Tombstone,[31] Rush, Cher, the Candyskins, Oui 3 (U.k. #28),[32] Queensrÿche (on their album Take Comprehend), Miriam Makeba (on her album Continue Me in Mind), Public Enemy, Ozzy Osbourne and (həd) p.e. (retitled Children). Cher's 1969 cover did not make the Billboard Hot 100; AllMusic retrospectively called her version "mature [and] forceful".[33]

Sergio Mendes and Brasil'66 recorded a version of this song. It reached #10 in the Adult Gimmicky Music Chart on September nineteen, 1970.[34] Singer Karen Philipp suggested to Sergio that he should cover the song. Karen does all of the vocals for this vocal by overdubbing. Two versions of this song exist: The mono 45 has a more farthermost overdubbing of Karen'south vocals with a different organ solo than the LP.[35] The LP version is in stereo with a different vocal organization.[36]

David Cassidy recorded an extended live version for his 1974 album Cassidy Live! (Bell Records, UK #nine; recorded alive in Great U.k. in May 1974).

In 1998, Les Rythmes Digitales released a version nether the title "(Hey Yous) What's That Audio?", a track from their anthology Darkdancer.

"For What It's Worth" is performed by an opossum (Jerry Nelson) and a chorus of woodland animals on episode 2.21 of The Muppet Show. The 3rd verse is rewritten by an uncredited author to give the song an anti-hunting theme.

The hip-hop grouping Public Enemy sampled "For What It's Worth" on their 1998 song "He Got Game", which featured Stephen Stills reprising his vocal functioning from the original song.[37] Oui 3 adjusted the song for their 1993 debut single of the aforementioned proper noun, which reached number 26 in the Great britain chart.[38] [39] In 2017, Haley Reinhart released a cover of the song as the third unmarried from her third studio album, What'due south That Sound? [forty] In 2018, the Lone Bellow released a cover of the song every bit a single.[41]

Come across also [edit]

  • List of 1960s one-hitting wonders in the U.s.a.
  • Protest songs in the United States

References [edit]

  1. ^ Unterberger, Richie. "Great Moments in Folk Rock: Lists of Author Favorites". Richieunterberger.com . Retrieved January 26, 2011.
  2. ^ Fontenot, Robert. "What is Country Rock?". ThoughtCo. Nearly.com. Retrieved March 12, 2017.
  3. ^ Jim DeRogatis (1996). Kaleidoscope Eyes: Psychedelic Rock from the '60s to the '90s . Carol Publishing Group. p. 51. ISBN978-0-8065-1788-9 . Retrieved October 13, 2015.
  4. ^ Inc, Nielsen Business Media (March 25, 1967). "Billboard". Nielsen Business organisation Media, Inc. – via Google Books.
  5. ^ a b c d David Browne (Nov eleven, 2016). "'For What It's Worth': Within Buffalo Springfield's Classic Protest Song". Rolling Stone.
  6. ^ Gilliland, John (1969). "Show 34 – Revolt of the Fat Angel: American musicians respond to the British invaders. [Part 2] : UNT Digital Library" (audio). Pop Chronicles. Academy of Northward Texas Libraries.
  7. ^ a b "Sunset Strip Riots | Closing of club ignited the 'Sunset Strip riots'". Los Angeles Times. August 5, 2007. Retrieved January 16, 2012.
  8. ^ Meares, Hadley (March seven, 2019). "Rebellion and rock 'n' scroll: The Sunset Strip in the '60s; How go-go dancing teens—and the underage clubs that embraced them—turned the Strip technicolor". Curbed Los Angeles . Retrieved February 22, 2021.
  9. ^ "CashBox Record Reviews" (PDF). Cash Box. January vii, 1967. p. xviii. Retrieved January 12, 2022.
  10. ^ Einarson, John; Furay, Richie (2004). For What Information technology'due south Worth: The Story of Buffalo Springfield. Taylor Trade Publications. p. 127. ISBN978-0-8154-1281-6.
  11. ^ Jimmy McDonough (2003). Shakey: Neil Young'due south Biography . Random House. p. 201. ISBN9780679427728.
  12. ^ "Elevation 20 Pop Spotlight Cher - For What It's Worth". Billboard. Nielsen Business Media, Inc. Baronial 16, 1969.
  13. ^ Lustig, Jay (Feb 18, 2011). "Vocal of the Solar day: 'Rock 'n' Roll Woman,' Buffalo Springfield". The Star-Ledger . Retrieved February 19, 2011.
  14. ^ Stevenson, Tommy (October 20, 2010). "'Days of Rage' briefing revisits unrest of May 1970". Tuscaloosa News . Retrieved February 19, 2011.
  15. ^ Lynskey, Dorian (May 6, 2010). "Neil Young's Ohio – the greatest protest record". The Guardian . Retrieved January 5, 2019.
  16. ^ "CSN, Jackson 5 Join Rock and Coil Hall of Fame". Rolling Stone. May eight, 1997. Retrieved February 19, 2011.
  17. ^ Dowd, A.A. (October 21, 2016). "Ewan McGregor flattens American Pastoral into '60s cliché". The A.5. Lodge . Retrieved August 17, 2020.
  18. ^ Aswad, Jem (August 17, 2020). "Stephen Stills Talks His DNC Operation With Billy Porter of 'For What It's Worth'". Variety.com . Retrieved August 17, 2020.
  19. ^ Bowen, Bliss (June 18, 2020). "Artists give vox to crisis in the streets". Pasadena Weekly . Retrieved August 17, 2020.
  20. ^ "RPM Pinnacle 100 Singles - April 8, 1967" (PDF).
  21. ^ Flavor of New Zealand, 26 May 1967
  22. ^ Joel Whitburn's Pinnacle Pop Singles 1955–1990 - ISBN 0-89820-089-Ten
  23. ^ "Cash Box Top 100 Singles, April one, 1967". Archived from the original on November 28, 2018. Retrieved February xv, 2019.
  24. ^ "Record World / Music Vendor". Retrieved October vi, 2020.
  25. ^ "RPM Height 100 Singles of 1967". Archived from the original on Baronial 12, 2016. Retrieved February 15, 2019.
  26. ^ Musicoutfitters.com
  27. ^ "Greenbacks Box Year-End Charts: Top 100 Pop Singles, December 23, 1967". Archived from the original on September 30, 2018. Retrieved Feb fifteen, 2019.
  28. ^ "Italian single certifications – Buffalo Springfield – For What Information technology's Worth" (in Italian). Federazione Industria Musicale Italiana. Retrieved August 6, 2021. Select "2018" in the "Anno" drop-down menu. Select "For What Information technology's Worth" in the "Filtra" field. Select "Singoli" under "Sezione".
  29. ^ "British single certifications – Buffalo Springfield – For What Information technology's Worth". British Phonographic Industry. Retrieved August 6, 2021.
  30. ^ "RPM Top 100 Singles - October 21, 1967" (PDF).
  31. ^ "KEN LYON & TOMBSTONE: For What It'south Worth (1974)". YouTube.
  32. ^ United kingdom Official Charts, 20 Feb 1993
  33. ^ Marker Deming. "3614 Jackson Highway - Cher | Songs, Reviews, Credits". AllMusic. Retrieved September 30, 2016.
  34. ^ "Developed Contemporary Chart". Billboard. January 2, 2013. Retrieved Baronial xviii, 2020.
  35. ^ "Sergio Mendes & Brasil'66 For What It'south Worth (single 45 version) - YouTube". world wide web.youtube.com . Retrieved Baronial eighteen, 2020.
  36. ^ "For What Information technology's Worth - YouTube". world wide web.youtube.com . Retrieved Baronial 18, 2020.
  37. ^ Locker, Melissa (Nov 5, 2012). "'He Got Game' | Public Enemy at 25". Time . Retrieved September 30, 2016.
  38. ^ "Oui 3". Blair Booth Music . Retrieved Apr 6, 2016.
  39. ^ "Oui 3". Official Charts . Retrieved April 6, 2016.
  40. ^ "Exclusive! Haley Reinhart Roofing The '60s Archetype For What Information technology'southward Worth Is As Spooky As Our Current Political Climate! Listen!". PerezHilton. August x, 2017. Retrieved August 10, 2017.
  41. ^ For What It's Worth, October 2018, retrieved March 10, 2020

External links [edit]

  • Reasontorock analysis of song

brizendineaber1997.blogspot.com

Source: https://en.wikipedia.org/wiki/For_What_It%27s_Worth

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